
Aside from scary movies and haunted houses, nothing terrifies me more than someone asking me this: “What do you write?”
I mean, come on. I should be able to answer this since it’s literally what I spend hours doing every single day. But that’s not what happens. Instead, I give a nervous chuckle and then mumble and muddle through a very awful explanation.
So, what do I write? The genre I fit best in is women’s fiction. Yes, it’s an archaic term, but no one has found a good alternative. This genre has a unique feature compared to most others: the plot is advanced by the character’s emotional journey and ultimate change. While characters in many genres undergo some change at various times, they aren’t driven by it. Instead, they’re usually swept up in a huge issue happening outside them. In mysteries, it’s the crime. In romance, it’s the love interest. In horror, it’s the scary monster that’s chasing the main character.
In women’s fiction, the monster is an internal wound deeply seated in the main character long before the reader ever meets them. It gives the character a belief, or rather a misbelief, about the world and usually about themself. This misbelief directs everything the character does from the first page through the story.
Events happening outside the character—the plot—force them to apply their flawed logic. This is where subgenres like thriller, mystery, paranormal, and suspense come in. THERE’S ALWAYS A PRICE has a romantic subplot. But the heart of the story is driven by Cassie and her misbelief that bad things happen when she chooses something she really wants.
So what do I write exactly? I love writing complicated and morally gray characters. I drop them in uncomfortable and entertaining situations and put them through hell all so they hopefully come out better in the end. They fumble and fall; they fail and succeed; they have moments of clarity and then regress into their wounded selves. In short, they’re human. And while growth and change are the goals, how they get there is where the real magic of the story happens. Kind of like life.